That Drifting Poo Was Way Too Symbolic! It's the Television Disappointments of the Past Year.

Looking back, we reflect on the TV landscape of the recent year, a handful of series emerge not for their brilliance, but for their spectacular shortcomings. Ranging from awkward sequels to bafflingly poor documentaries, here are the productions that had us utterly bewildered or simply reaching for the remote.

And Just Like That

Where to begin with this love/hate spin-off? Burdened with dreadful scripts, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to justify its existence. Briefly, as the third series started, it looked like it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the showrunner announced this would be the last series. It concluded on a low point; the lingering shot of Miranda’s toilet flooded with poo was just way too on-the-nose. Still, fans certainly found joy dissecting every single “what on earth?” moment. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the smallest of this show's issues. The recipient of a exceedingly uncommon no-star assessment, it was hard to know where to begin enumerating the problems. The laughably leaden dialogue? The mind-numbing veneration of affluence and consumption? The almost wilful parade of tropes? Performances so poor they felt almost spiteful? Suffice it to say “each and every one” and forget about this show again. Except, a second season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, abuse allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have known it from this multi-part documentary which chuckled along at Sheen’s various bouts of self-destructive hedonism while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any sympathy this series might induce should be reserved for the people who have had to endure close contact with this charming but dismissive narcissist.

The Iris Affair

Naturally we knew it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of pure love for its stars 
 but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ultimately slicing Charlie with an axe 
 in painfully slow-motion. That's what you call admitting defeat.

MobLand

Shady characters convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the embarrassment of having to accommodate baffling accents. But there were plenty of other problems. Primarily that it was just profoundly boring; a dispute over drug-selling territory between various cockney picaresques which seemed a bit basic.

With Love, Meghan

Given the extent to which she grinds the gears of certain ostentatiously angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various forays into twee lifestyle as intentional statements. But then you view them and are forced to admit that in this case, they may have a point. It’s like watching a homeware catalogue come to life; a poster for wine o’clock with ideas of grandeur; a procession of snoozing dogs, humming beehives, sentimental platitudes and pointless crafting “tips” you’ll forget instantly. All supported by immense, mostly undeserved wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be discussed about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for some reason, this three-part series chose not to explore them. Rather, the viewing was like consuming a marketing brochure. She clearly has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this cagey non-event of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a well-known personality overseeing her inheritance. What more could you want? As players competed, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a programme that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The pressure was enormous for this starry romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the abundance of celebrity friends involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd recruitment of talented younger comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a one-note joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have remained in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled sensitively. Rather, the series laboured awkwardly to find the right voice, lumbering from oddly breezy, slightly mannered farce to inevitably, real-life horror. Twisted? Arguably. A complete mess? Very much so.

The Maths Genius Thriller

We love the lead actor 
 but did we buy him playing the most brilliant maths genius since, a man so smart he’s on the brink of a discovery that could destabilise society? Nope! This international thriller about secret services targeting – and eliminating – academics honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for sexual exploits as she undertook her biggest feat yet. What on earth would possess her? What we craved was far greater examination of her true psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to drag her son out of the queue. What we got was horrific imagery and absolutely no interrogation of her infamy whatsoever. And to think, the filmmaker has a teenage daughter too.

John Blackburn
John Blackburn

A lighting design specialist with over a decade of experience in smart home technology and sustainable energy solutions, passionate about transforming living spaces.